Working thesis title: Painted with glass and fire: Limoges enamelling from the local to the global, c. 1470-1530
Supervisor: Professor Susie NashÌý
Advisor: Dr Robert Brennan
Funded by:
Education
2025-present: PhD History of Art, The Â鶹TVÍøÕ¾ of Art
2021-2022: MA History of Art (Distinction), The Â鶹TVÍøÕ¾ of Art (Special option: Reinterpreting the Object: Late Medieval and Renaissance Art in Northern Europe, c.1360-1520)
2017-2020: BA History (First Class), The University of Oxford
Professional Experience
2026-present: Collection Assistant, The Wyvern Research Institute, London
2025-2026: Research Assistant: The Rosalinde and Arthur Gilbert Collection, V&A, London
2024-2025: IMAF Project Curator: Netherlandish Drawings, The British Museum, London
2023: Collection and Curation Intern, The Barber Institute of Fine Arts, Birmingham
2023: Visiting Researcher, The Belgian Institute for Cultural Heritage (KIK-IRPA), Brussels
2021-2022: Research Associate (Painting Pairs), The Â鶹TVÍøÕ¾ of Art, London
Publications
Contributor to: Olenka Horbatsch and Charlotte Wytema, Early Netherlandish Drawings, 1400-1600 (British Museum Press, 2026)
Papers and Talks
‘Defining the Edge: Picture Frames at the Barber Institute’, The Barber Institute of Fine Arts, Birmingham (2023)
‘Interthreaded histories: Late medieval embroidery between England and Brabant’, The Royal Institute for Cultural Heritage (KIK-IRPA), Belgium and Fondation Périer D’Ieteren, Brussels (2023)
‘A View of Jamaica’, Painting Pairs 2021-22: Collaborative Research in Conservation and Art History, The Courtauld Research Forum, London (2022)
Grants and Awards
CHASE/AHRC Doctoral Studentship (2025)
Southern Netherlandish Art Program Summer School (2025)
Caroline Kellett FHS Prize in History, Wadham College (2020)
Research Interests
Northern European art c. 1350-1550
Artistic exchange and transfer between media (especially drawing, painting, metalwork)
Medievalisms and remaking the medieval past
Practice-based research